Trueno in Barcelona: 27 Tracks, Freestyle and Argentine Roots at Palau Sant Jordi
Trueno made his debut at Palau Sant Jordi as part of the TURR4ZO World Tour and the Cruïlla Concerts series. Following his sold-out show at Sant Jordi Club in March 2025, the Argentine rapper arrived at one of Barcelona’s major concert venues with a set that brought hip-hop together with folk traditions, cumbia and rock. The published concert chronicle lists 27 setlist entries, spanning his hits and freestyle passages.
Opening with “Con el combo, ” Trueno established a forceful tone from the outset. He maintained a direct connection with the crowd, supported by two hype men. Drums, percussion and electric guitars added weight to the live sound, while the rapper himself remained at the centre of the performance, driven by his rhythmic precision, vocal delivery and ability to sustain the room’s energy.
During “Atrevido ” Trueno thanked the Catalan audience for its support. He then introduced “Bzrp Freestyle Sessions #6” as a tribute to his friend Bizarrap and moved to a MIDI keyboard to trigger loops. A guitar riff and solo strengthened this section, highlighting an aspect of Trueno’s performance that extends beyond rapping over pre-recorded beats.
One the evening’s more emotional moments came with “1000 horas, ” a reinterpretation of “Mil horas” by Los Abuelos de la Nada. Andrés Calamaro appeared on the screen, and Trueno addressed him before the chorus. “Mamichula, ” featuring Nicki Nicole, brought another opportunity for collective singing, while “Dance Crip” drew on the musical legacy of f Illya Kuryaki and the Valderramas.
“Rain IV” slowed the pace and introduc more autobiographical tone. Later, during “Feel Me? , ” Trueno climbed a structure resembling an antenna. Before “90s, ” he picked up a handheld camera and moved through the audience area. “Estilo Sudaka” returned the focus to Latin American identity, while, before “Tranky Funky, ” Trueno highlighted Barcelona’s connection with ith the second half, that sense of identity became even more prominent. “Zombi, ” “Argentina, ” “Pumas” and “Tierra zanta” connected contemporary rap with Argentine musical roots and a sense of belonging. Before “Tierra zanta, ” Trueno spoke about unity and pride in his origins. “Azul y oro” brought the focus back to La Boca and the football culture surrounding Boca Juniors, an important part of part of his artistic identity.
“Urug unas llantas” then shifted the show towards a more dance-driven stretch. “Ñeri, ” “Bailando sola” and the title track, “Turr4zo, ” kept the momentum going, while the freestyle sections once again allowed Trueno to shape parts of the performance in real time. The show closed with “Fuck el h “Fuck el Police.”
The Barcelona performance strength that goes beyond Trueno’s rap energy. His set connects hip-hop with Argentine musical traditions and his own personal history. At Palau Sant Jordi, these elements came together in a portrait of an rtrait of an artist for whom neighbourhood, national identity and musical freedom are inseparable.
